Nigeria: Homelands Under Siege!

 By Sunny Awhefeada

Homeland holds significance in many ways. It embodies the phys­ical, psychological and spiritual essence of man. Homeland could be a birthplace or an adopted place of origin. Both ways, a homeland has an endearing and enduring impact on people. It has a pull that is difficult to ignore or avoid. Before modernity and globalization came with displacement and tendency to see everywhere as home, the idea of the homeland carried with it a romantic allure that it became a motif in po­etry and music.

 The enduring impact of the homeland magic and mystic finds eternal resonance in Evi Edna Ogholi’s “No Place like Home”. Her scribal brothers, Gabriel Okara, Tanure Ojaide, Ibiwari Ikoriko, Joe Ushie, Ogaga Ifowodo, Ebi Yeibo, Obari Gom­ba, Peter Omoko and Stephen Kekeghe, in their poetry romanticized an idyllic home­land that was lost to capitalist rapacity em­bodied in oil multinationals and insensitive successive governments under the firm grip of comprador bourgeoisie. People had gone to war to defend their homeland. No matter how far people sojourned in the distant past they always made attempt to return to their homeland.

FG Palliatives: A Grain Of Rice For Each Household!

 By Tunde Olusunle

If you were a student of English in my generation, there were au­thors and titles, African and for­eign, you just had to encounter. Nigerian writers like Daniel Fagunwa, Chinua Achebe, Wole Soyinka, Chris­topher Okigbo, John Pepper Bekeder­emo-Clark, Timothy Aluko, Gabriel Okara, Elechi Amadi, Ola Rotimi, Zulu Sofola, Buchi Emecheta, Flora Nwapa, all members of the “first generation” of Nigerian writers; they were irrevo­cable constants.

On the African scene, Nadine Gordimer, Dennis Brutus, Pe­ter Abrahams, Lenrie Peters, Alan Pa­ton, Ngugi wa Thiong’o, Meja Mwangi, Simon Gikandi, Camara Laye, Kofi Awoonor, Kofi Anyidoho, Ayi Kwei Armah, Sembene Ousmane, Frantz Fanon, Sonne Mbella Dipoko, Nagu­ib Mahfouz and so on were featured variously on our reading lists. Indeed, in several instances, we had prior ex­posure to the works of some of these icons in the syllabuses of our ordinary school leaving and higher school cer­tificate examinations respectively. In our multi-generic poetry, prose, drama, oral literature and stylistics classes in the university, these legends were fur­ther encountered in various ways.

A Toast To Odia Ofeimun At 73

 By Uzor Maxim Uzoatu

There is no better way of introducing Odia Ofeimun than pointedly stressing that “Odia Ofeimun is Odia Ofeimun!” Enough said. 

*Ofeimun

Poet, publisher, editor, activist, polemicist, mentor, politician, columnist, factory worker, writer, dance-drama exponent, public intellectual, critic etc, Odia Ofeimun has packed uncountable lifetimes into one tumultuous lifespan.