President, Governors Disown The Poor!

 By Dele Sobowale

“Fish rots from the head.”

If you want to know how good or bad a country is, just take a look at the top politicians. It is now becoming an axiom of political science, that it is almost impossible to have a great country with absolutely atrocious leaders in charge. It all starts from the President or Prime Minister. 

*Buhari

Was there an African or black person anywhere who was not proud when Nelson Mandela was President of South Africa? Who else among the mob that was elected and ruled in Africa who has given us that sense of pride in being African and black? Mandela achieved everlasting fame, universal acclaim and respect in just five years. See what we have got in Nigeria after seven and a half years of Buhari. Surely nobody would be dishonest enough as to call him a great leader – given the legacies he and the First Lady, FL, are likely to leave behind.

A Toast To Odia Ofeimun At 73

 By Uzor Maxim Uzoatu

There is no better way of introducing Odia Ofeimun than pointedly stressing that “Odia Ofeimun is Odia Ofeimun!” Enough said. 

*Ofeimun

Poet, publisher, editor, activist, polemicist, mentor, politician, columnist, factory worker, writer, dance-drama exponent, public intellectual, critic etc, Odia Ofeimun has packed uncountable lifetimes into one tumultuous lifespan. 

Who Is Afraid Of Ezenwo Nyesom Wike?

By DAN AMOR

Within the entire gamut or canon of Ernest Hemingway's works – some seven novels, fifty odd short stories, a play, and several volumes of non-fiction — The Sun Also Rises, is something of a curious exception.

*Gov Wike 

Published in 1926 while Hemingway was still in his twenties and relatively unknown, it was his first serious attempt at a novel. Yet, in spite of the fact that it was to be followed by such overwhelming commercial successes as A Farewell to Arms (1929), For Whom the Bell Tolls (1940), The Old Man and The Sea (1952), most critics agree that The Sun Also Rises is one most wholly satisfying book. Here Hemingway indelibly fixed the narrative tone for his famous understated ironic prose style. And here he also made his first marked forays into an exploration of those themes that were to become his brand-mark as a writer and which were to occupy him throughout his writing career. The pragmatic ideal of grace under pressure, the working out of the Hemingway "code", the concept of style as a moral and ethical virtue, and the blunt belief or determination that some form of individual heroism was still possible in the increasingly mechanized and bureaucratic world of the twentieth century: these characteristic Hemingway notions deeply informed the structure of The Sun Also Rises.