Showing posts with label Emeritus Professor Ayo Banjo. Show all posts
Showing posts with label Emeritus Professor Ayo Banjo. Show all posts

Friday, May 6, 2022

ASUU In The Age Of Nastiness

 By Tony Afejuku

Let me enter my column straightaway with these observations: I did not think of dwelling on the Academic Staff Union of Universities (ASUU) at this point in time after the series of straight five weeks series I terminated but did not conclude not long ago on the universities’ dons’ abject take-home remunerations. Of course, I knew that I would revisit the subject of our universities’ lecturers’ contaminated and adulterated remunerations – but now is not the time.

For a minute or two let me keep you in abeyance with respect to the current engagement. But the title is influenced somewhat by an ardent reader of this column who is himself a first-rate columnist penning for an equally very popular tabloid.

Saturday, October 17, 2020

Celebrating The Literary World Of JP Clark

By Hope Eghagha

It is within the context of a poignant, profound and perhaps arcane ritual imagination that we encounter John Pepper Clark in his literary world as evidenced by the evocative power of his primal poetic and dramatic compositions.

          *Professor Eghagha (Right) with the late pioneer writer, 
         Professor JP Clark 

Especially so are some of the early works such as Song of a Goat through Ozidi, the ‘middle’ The Boat, The Return Home, Full Circle, Casualties and the later Remains of a Tide.

His only known work of prose the semi-autobiographical and bitingly sarcastic America their America, at once immediate in content and prophetic in thematic concern exists outside this ontology of ritual and the mythic imagination.

Monday, August 6, 2018

Celebrating The Literary World Of JP Clark

By Hope Eghagha
It is within the context of a poignant, profound and perhaps arcane ritual imagination that we encounter John Pepper Clark in his literary world as evidenced by the evocative power of his primal poetic and dramatic compositions. Especially so are some of the early works such as Song of a Goat through Ozidi, the ‘middle’ The Boat, The Return Home, Full Circle, Casualties and the later Remains of a Tide.
*JP Clark 
His only known work of prose the semi-autobiographical and bitingly sarcastic America their America, at once immediate in content and prophetic in thematic concern exists outside this ontology of ritual and the mythic imagination. Almost to the letter (or depth) of contemporary effusions from Trumpian America, this work captures the supercilious arrogance of white America and victims of racial disharmony narrated after a personal encounter with the programmed academy of American culture, capitalism and sociology which our young and bristling JP had found condescending and utterly restrictive.