Changing Dialogue With Dialogue: Confronting The Language Of Ebola

 

 

US President Barack Obama meets with ebola 

survivor,  Dr. Kent Brantly at the oval office on 

September 16, 2014 (pix Pete Souza/White House)

By Emma Fox

The African continent – which is so often unjustifiably spoken of collectively and dismissively throughout the globe as a one entity – can truly claim a unity through its diverse and eye-opening library of great literature and language.

Whether it is in the dreamlike magical realism of Ben Okri, the underlying critiques so carefully yet organically articulated by Nadine Gordimer, or the poignant and profound work of Assia Djebar, Africa’s many shapes and sounds have been delivered in a perpetual life poem which has courageously addressed various social challenges and defined the continent as a rich and creative Diaspora of contemporary literature. 

 

While these works detail issues and triumphs which are focused on a particular region, they also encompass the bigger picture – just take Chinua Achebe’s Things Fall Apart, for example – which has accumulated some truly remarkable responses to the heavy footprint of colonialism and the rest of the world’s inability to look at Africa and African countries separately through an unclouded lens. It is through language and literature where reclamation, liberation and life transform, a vital tool through which lies the potential for change, and is especially crucial in combating the recent challenges which certain parts of western Africa are facing.

How The Africa Channel Can Help Multiculturalism On British Television

By Emma Fox

The British Broadcasting Corporation (BBC) has expanded its repertoire and global reach to the point where it regularly broadcasts to an American and Arabic audience. It gives the Americans an opportunity to explore the best of what British television has or has had to offer and allows an expanding Arabic audience to feel that they are not forgotten by the Western world. Because services like this have been positively accepted, it was important that a similar service was launched for African people in the United Kingdom.

BBC America

BBC America was launched in 1998 and broadcasts popular British programming such as Doctor Who and In The Flesh. What is unique about BBC America is that, contrary to its name, it does not solely broadcast programmes from the BBC. Instead, it opts to broadcast popular programming from other British networks as well as its own. This allows the American audience to gain an understanding of British television and can also assist British television and film producers to gain recognition in an otherwise difficult environment to crack. A station such as this in the United Kingdom would inevitably do the same for African filmmakers and television producers.