By Promise Adiele
Femi Osofisan’s play Morountodun derives its historical substratum from the Agbekoya uprising of 1969 in the Western part of Nigeria. Popularly known as the ‘farmers’ revolt’, the incident occupies an iconic place in Marxist revolutionary ethos which is why many critics describe Osofisan as a helpless Marxist writer, an emblem he unsuccessfully tries to discard.
*Peter Obi
In 1969, while the civil war was raging in the Eastern part of the country, illiterate, uninformed, uneducated farmers, without any political structure, took up arms and fought the government in Western Nigeria. Their pain was manifold but they bore it with equanimity. They lived through deprivation, government irresponsibility, official rascality, decayed infrastructure, and many other aberrant social conditions.
But a time came when the farmers could not take the pains anymore, they revolted. The immediate cause of their revolt was the introduction of higher taxes which meant that they had to pay more. Throwing all cautions to the wind, they adopted a guerrilla approach, fought the government and overthrew the prevailing superstructure. In the end, the government was forced to the negotiating table.
