Nigeria: Using Torchlight In Broad Daylight

 By Owei Lakemfa

There is a country called Nigeria. For three decades, its coffers were daily looted in the guise of fuel subsidy. The looters are known by name and some are known faces. The companies they use in looting are registered and have addresses. Rather than bring the criminals to book, government decided to remove the subsidy.

Thus, the people are forced to pay astronomical prices for fuel, while the subsidy looters keep their loot and are free to forage for other things to loot. This is the truth. There is also the lie; that fuel subsidy has now been removed. The truth is that it is impossible to remove fuel subsidy no matter how much the people are visited with high fuel prices.

A Toast To Odia Ofeimun At 73

 By Uzor Maxim Uzoatu

There is no better way of introducing Odia Ofeimun than pointedly stressing that “Odia Ofeimun is Odia Ofeimun!” Enough said. 

*Ofeimun

Poet, publisher, editor, activist, polemicist, mentor, politician, columnist, factory worker, writer, dance-drama exponent, public intellectual, critic etc, Odia Ofeimun has packed uncountable lifetimes into one tumultuous lifespan. 

Poet Of The People: Niyi Osundare

 By Uzor Maxim Uzoatu 

Poets from all over the world today do not come any loftier than Nigeria’s Niyi Osundare. In my book, he is the next poet destined to win the Nobel Prize in Literature. 

*Osundare 

Lovers of intellection are thrilled that on Wednesday, December 7, 2022, Professor Niyi Osundare will deliver his Nigerian National Merit Award (NNMA) Winners Lecture in Abuja. 

The lecture which is taking place within the context of the Annual Forum of NNOM Laureates is entitled “Poetry and the Human Voice”.

The significant event that is happening physically and virtually calls for celebration because Niyi Osundare is that one poet who speaks for the people. 

A personable mentor who jocularly addresses me as “The Maximum Metaphorist”, Osundare packs enormous craft and courage in his sublime verbs and profound nouns. 

Whither Nigeria?

 By Odia Ofeimun

Each time it was discovered that the ship of state was foundering, without compass, and no one seemed to have a handle on how to navigate with a proper goal-orientation, the question, Whither Nigeria?, has been asked as a way of giving expression to where we are as a country, where we are going or where we should be going. Mostly, the issues have emerged from trying to think beyond the scramble by the various nationalities in the country. In a multi-ethnic society, reality tends to be resolved around levels of perception in the practice of governance.  

                *Odia Ofeimun 

I am interested in how we’ve been fixed by history, and how we’ve always managed to have so many unresolved issues, so embarrassingly many, even now, when the most intense marker of dissension in the Nigerian firmament is the Boko Haram Insurgency in the North-East which has sought many times, unsuccessfully, to declare a Caliphate over parts of the country. Take the other issue around MASSOB (Movement for the Actualization of the Sovereign State of Biafra) and the Indigenous Peoples of Biafra (IPOB). They have raised the Biafran secessionist flag contentiously and ambitiously over what used to be the Eastern Region. Successive Federal Governments have pursued them with punitive measures as if the civil war of 1967-70 did not quite come to an end. Now, look, the clouds are gathering, as fractions of the Yoruba, at home and in the Diaspora, are angling for a secessionist binge of their own, unless, as it is stressed, ethnic nationalities are allowed to become self-governing within the Nigerian Federation.

Odia Ofeimun: The Writer And His Society

By Dan Amor

When it dawned on me recently that my boss, Odia Ofeimun would turn 70 today, I was confused. I was confused not because I didn't know what to write about my master or how to write it but about which one to write on. I asked my humble self: should I write about the poetry of Odia Ofeimun, or should I write about Odia Ofeimun's language and philosophy or about Odia Ofeimun and his aesthetics? 

*Odia Ofeimun

Indeed, I was really confused, for it is patently difficult to write about a griot whose life experience cuts across almost all facets of human endeavours. As a polyvalent genius, Odia is grounded in almost all the major contemporary schools of critical theory: from analytic philosophy to reconstructed Marxism, from poststructuralism to postcoloniality, and from feminism to recuperated phenomenology.

I Celebrate Buhari For Killing APC

By Erasmus Ikhide

On July 31st, 2013 a day after All Progressives Congress (APC) was registered by Independent National Electoral Commission, I got a surprising call at dawn from the storming petrel, warrior of the pen, essayist and a poet who uses words like a sculptor, Mr. Odia Ofeimun with troubling apocalypse thus:

"Erasmus, do you know that Senator Bola Tinubu has sold Nigeria to the devil for accepting the merger of Action Congress of Nigeria (ACN) with Congress for Progressive Change (CPC) and a few little known political parties". 

*President Buhari 

I was caught off balance. Moreso because I had barely retired from my study to the bed before my sleep was rudely ruptured by the call. 

Swan Song Of The Iroko: The Life, Time And Works Of Chinua Achebe: The Lessons For Nigeria

By Professor Umelo Ojinmah

(Paper presented at the Memorial Symposium in Honour of Professor Chinua Achebe by Association of Nigerian Authors (ANA) on 20 May 2013 at International Conference Centre, Abuja)

*Chinua Achebe 

 Preamble
There are few writers that their lives and works have been studied as much as Achebe’s. His novels, especially, Things Fall Apart is standard reading in many high schools in America and Europe, including Germany, and all over Africa and Asia. I know that my work on Achebe was excerpted and is used in a text, Novels for Students Vol. 33 Ed. Sara Constantakis (2010) for high school students in America. 

Most of us here have critiqued one of Achebe’s work or the other.  Achebe has influenced writers from all over the world – Europe, America, Australia, and Asia. The New Zealand Maori writer, Witi Ihimaera, acknowledges that he was influenced by Chinua Achebe. He became one of the most famous indigenous writers of the Maori nation and has, himself, influenced a new generation of Maori writers. As editor of the African Writers Series, Achebe edited and mentored a host of African Writers including Ngugi Wa Thiong’0.  Elechi Amadi in a recent interview accepted as much, that they all were influenced by Achebe, which is one of the reasons he is seen as the father of African Literature. Growing up, many of us never knew how books are made. For us, Shakespeare was that nebulous but wonderful writer who weaved magic with words that our teachers asked us to memorise. It was Achebe that made us realise that writers were flesh and blood like us; that is what Achebe did for so many people, bringing literature to life and kindling our interest in writing.

 I: Life and Time 
When  Karl Maier’s This House has Fallen: Nigeria in Crisis was published in 2000 there was the usual hue and cry by Nigeria’s elites and politicians on what they saw as the denigration of the Nigerian state. Coming seventeen years after the publication of Achebe’s The Trouble with Nigeria  (1983) it was amazing that despite the obvious kleptocracies of those at  leadership positions at both state and national levels that have stunted development of the Nigerian state, people still shouted themselves hoarse about the conclusion of Karl Maier’s This House has Fallen. A conclusion that Chinua Achebe had drawn and foretold seventeen years earlier. 

Although this paper celebrates the life and achievements of Chinua Achebe, as a writer and social critic, in the light of the furore generated by There was a Country: A Personal History of Biafra and the level of discourse that it has precipitated, I was tempted to jump into the fray, but I quickly realised that what was happening was, in fact, what Chinua Achebe wanted. To draw attention to those issues raised, debate them, criticize them, but definitely not ignore them or sweep them under the carpet). Chinedu Aroh writes that “Achebe … feels the forty-two years the book took him to release shows the seriousness therein. According to Pourhamrang Achebe ‘had to find the right vehicle that could “carry our anguish, our sorrow ... the scale of dislocation and destruction ... our collective pain’’’ (cited in NewsRays, 2012, 40). 

The only sad note, particularly for Achebe scholars, is that the people who should be debating these issues are not; the leaders and government functionaries whose actions impact on the lives of the citizens. For it is for such people that There was a Country: A Personal History of Biafra was written, so that we do not continue to play the ostrich as a nation. Achebe’s death has brought out all manner of critics and pseudo-critics. Recently, Odia Ofeimun, in his interview with Ademola Adegbamigbe and Nehru Odeh, under the guise of reacting to Chinua  Achebe’s  There was a Country: A Personal History of Biafra took a hefty swipe at The Trouble with Nigeria thirty years after its publication claiming that:

We loved him so much for what he wrote that we hardly ever challenged some of the most contentious positions in his novels and in his non-fiction writings. Achebe said many things that are thoroughly wrong and that we ought to have contested very sharply and strongly.

Ofeimun states that “The trouble with Nigeria is not just bad leadership. That is the first bad point” yet by the time he had summed up Awolowo’s credentials he said “Now, it is good never to forget that what saved Awolowo was not just leadership….” Basic English lesson teaches us that when you use expressions such as “…was not just…” it presupposes that leadership is NOT excluded but included. Of course, it also means that there are other things that make up the qualities being advocated but the important thing is the acknowledgement that leadership is included.